OPEN CASE: VERONICA MARS
Season 1 - Episode 21
A TRIP TO THE DENTIST: Now, spit!
by Spring
Summers –
This episode was so jammed packed with
events and information
that I’m going to do something I don’t usually do – and that’s a bit of a recap. I need to clear my own mind, and to make
clear how I interpreted the scenes. I’m
going to try to list events chronologically in “real time”:
·
Celeste, worried that Veronica might be
·
Implied
is that when Lilly asked about the
break-up with Veronica, Duncan or Celeste must have told Lilly the same thing.
·
·
Madison,
Dick’s girlfriend, is not very receptive to his sexual advances at the
party. So, as frustrated Dicks have been
known to do since the dawn of time, he does something really stupid. Dick
puts GHB in
·
Before
she even touches the spiked drink,
·
Veronica drinks it, and starts to get very loopy.
·
Among
other things, Veronica ends up lying on a lounge chair with some of the guys
doing body shots on her.
·
Duncan, Veronica’s brother-in-lust, shows up and rescues Veronica from
her turn as a human Margarita glass.
·
Dick and his buddies are with a passed-out Veronica in a guest
bedroom. Like some kind of bizarro-world Wally, Dick tries to browbeat The Beave
into losing his virginity by raping Veronica.
·
Beaver pretends to go along, but once he is alone with Veronica, he
doesn’t have the stomach for such an act.
He leaves Veronica untouched.
·
·
A
drugged-up
·
·
Despite
the GHB,
·
When Veronica wakes up, she has no memory of
having sex; she just has some let’s-not-even-go-there indications that she did
have sex. She therefore believes she was
raped.
·
Veronica learns, a year later (in the last ep), that
·
Eventually,
Veronica learns that it was
·
Veronica, who apparently has the kind of yowza-attraction to Logan
that shakes a girl’s nerves and rattles her brain, actually apologizes to Logan
for assuming he might be guilty - instead of insisting on an accounting of all
his actions that night. I figure she is
looking for the shortest path straight to the kissing, so I nod my head in
sympathy.
·
Veronica & Logan, while smooching, walk into Aaron’s surprise
birthday party for
·
·
·
Meanwhile, Veronica is happily making out with
·
·
I note
that this seems to be Aaron’s lair,
not
·
Veronica lies back and looks at the ceiling fan and becomes
suspicious. She finds that there is a
camera in the ceiling fan, and taping and monitoring equipment attached to it. This makes her wiggy; she calls Weevil, who
comes to get her.
·
Veronica
walks into to her house. There is her mom, Lianne, sitting with her dad and
looking all nice and put-together and calm.
She says she’s home.
OK – wow. All season long we’ve
seen episodes with themes about the truth coming out, and in this episode, The Volcano
o’ Facts begins to erupt. Note how the
episode opens, with a child letting go of a kite, as it catches in the wind and
takes flight. Then later:
MEGAN
(to Veronica): “You gotta let it
go. You’ll make yourself crazy.”
Yep. It’s time for the facts to begin to fly. As the many references and images related to
vomiting, spitting, and opening up emphasize, it’s time to spill, time to open
the rectangle with the knob, time for the confessional portion of our show –
it’s time to spit it out:
·
Veronica
tells Wallace all. (Well, almost all. She
gave
·
Alicia
and Keith confront the “Wallace and the plant” situation head on.
·
Veronica
confronts
·
Time’s
up for
·
Everyone is having stuff poured into them and they are either accepting or rejecting
the foreign object. Voluntarily or
involuntarily, consciously or unconsciously, they are swallowing and
assimilating, or they are choking and spewing.
But the assault is relentless. It
really is. Life, reality, other people –
they are like that. Yeah, they are. They assail you. They attack you. Or they gently kiss and cajole you. They crash in through your windows,
shattering glass, or they sneak in through your blood stream ever so tenderly. As
References to
movies, and the noticeable differences in people’s stories about the same
events, emphasize the disparity between external and internal realities, while
the images of entry (locks, drinking, pill-taking, empty stomachs, eating crab cakes
that can kill you, kissing, sex) remind us of the constant liquid exchange
between the two. We are reminded also,
of the joys and sorrows, of the rewards and the risks, inherent in that
exchange, in being active in the marketplace.
Living and loving
is risky, and it hurts. Wallace and
Logan both tell Veronica they just want to be there for her, they want to help
lessen her hurt – and they do so. We get
that message loud and clear in this episode:
a burden shared is a burden lessened.
It may be a
dangerous place, but we all want to be present in the marketplace, don’t
we? We want to go to the party. We get burned over and over and over, but we
never learn.
·
Dick
has invested so much of himself in his surfboard, and he prizes it so highly,
that he’s devastated when Veronica runs over it.
·
·
A very
screwed-up Aaron is, in his own way, demonstrating his need for
·
It
hurts, but
I still don’t know
who killed Lilly Kane. I am so totally
clueless. But I like this show. It’s imperfect and so are its characters, but
they grab me – damn it, they are getting inside. So I’m in for it again. I did it with Joss Whedon and Buffy, and I’m doing it with Rob Thomas
and Veronica. I never learn. I’m always in for it, and up for it. When you open up, you can – oh, heck, you will
- get your guts ripped out.
But opening up
feels so good, and I like it better than the alternative, and they’re just my
guts. I can’t tell you how many times
I’ve replaced those. So bring it on, Mr.
Thomas. I can’t wait for the finale.
***
For Patti
Thompson
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