OPEN CASE: VERONICA
MARS
===================================================
Season 2
Episode 15
Written by: John
Serge
"The Quick and the Wed": Seeing the Whole Picture
By Sue
Mystery of the Week:
The MOTW is a perfect template
for the MOTS (Mysteries of the Season).
Like every good mystery we are presented with a table covered in puzzle
pieces. And this is an "expert
level" puzzle. We are not given a
finished picture to merely replicate----not even the outline or a border to
suggest it's final shape. We have to
make it up as we go along. Sometimes
we'll fit several pieces together only to find that we've hit a dead end and we
must actually disassemble parts and start over.
To make it even more complicated there are a number of "extra"
pieces on the table, which actually aren't even needed to complete the
puzzle. Trouble is, we won't know until
we're finished which ones were unnecessary.
Worst of all, we aren't even sure whether we are constructing one large
puzzle or two smaller ones; puzzles that may or may not interlock.
Arrrrrrggggggghhhhhhhh.
So how do we proceed? Follow Veronica's example: one clue at a time. In the MOTW Veronica follows each lead: interviewing Heidi's friends, getting Keith
to track and monitor her cell phone and her credit and ATM cards, looking for
evidence and a paper trail, revisiting the site where she was last seen. As she proceeds she draws some tentative
conclusions, which later turn out to be incorrect. But this is the nature of problem
solving. You have to come up with a
tentative hypothesis to test and see if the pieces fit together to support your
guess. Otherwise you are dead and
unmoving in the water: paralyzed, not by an absence of evidence, but rather swamped
by a tidal wave of information almost too large and complex to sort into
meaningful connections. Yes, we've
previously criticised Veronica for jumping to conclusions before examining all
the evidence but, as in puzzle building, you have to start somewhere. And Veronica is learning to be a bit more
cautious about acting on her early assumptions.
When she and Wallace locate Heidi's "abandoned" car Wallace
asks, "What am I going to tell Jane?"
To which Veronica very sensibly replies, "Let's not freak out until
there is something concrete to freak out about." Too bad Keith didn't investigate the
explosives further before sharing the information about the explosives with
Sheriff Lamb.
It's a thin line between jumping
to conclusions and testing a reasonable hypothesis. It certainly looked as if Nick had contacted
Heidi and she has left Paul to go off with her ex. Of course once Veronica discovers find out
that the fax wasn't sent by Nick, that the broken wineglass is entirely
irrelevant and harmless, that the text messages couldn't have been sent by Kim
because she lost her phone, that Vinnie is working for the Mann family, and
that Heidi was falsely led to believe that Paul had dumped her, Veronica is
able to re-evaluate the big picture and bring it into better focus. It was a great MOTW with a lovely and
satisfying resolution and it provides a good pattern for looking at the bigger
picture.
Now, let's see how this method
of mystery solving might apply to our larger puzzles.
"Jane, that's a torso." ~Veronica to Jane
If
you've never made a habit of re-watching the episodes, now would be an
excellent time to start. After the third
viewing I am convinced that nearly every single line had more than one
meaning. Of course, there were the
single, double and multiple entrendres.
The exchanges between Kendall and Aaron, Kendall and Cassidy, Veronica
and Vinnie, Veronica and Vinnie redux, Veronica and Logan are worth multiple
rewinds just for the shear fun of it.
But I'm seriously betting that as the season winds up.... and then
down.... and then maybe up again.... we will look back on this episode and say,
"Oh.my.goodness. There it was: the
clue we should have seen."
Right now
I'm not exactly sure whether we are even seeing a complete torso or just a big
toe--and on whose foot? Pieces, pieces
everywhere but never a complete picture.
Still, in the end the torso was covered in a bowling shirt--which
led to Vinnie--which really solved the mystery.
Is the rat a bowling shirt or an easily explained second wineglass?
"Penises can sometimes be distracting." ~Veronica to Heidi's friends
This
episode is chock full of pretty, shiny distractions. So many priceless lines of dialogue to
consider. Are they clues? Signposts?
Foreshadowing? False leads? Extraneous pieces? Distracting body parts? Much like Heidi's apartment, there is so much
stuff strewn around that it's impossible to know if anything is
missing. What might be the shiny giant
diamond ring that is so casually introduced at the beginning of the episode and
turns out to be pivotal to understanding motive? Why do I feel like we may have already seen
the diamond but unthinkingly dismissed its importance?
The doctor
claims he saw three bikers on the bridge and that Logan wasn't in immediate
peril. Wait--- the doctor was never
actually on the bridge at all. So were
there really ever three bikers (Felix, Thumper and Hector one presumes) there
with Logan at all?
On the
other hand, much like finding the missing camera, Keith's questioning of the
auto-detailer provides a solid clue.
It's absurdly unlikely that Terrance would have stored explosives where
he knew they would be found. Far more
likely that someone is trying to frame him.
[And just when is Keith going to get actively suspicious of Woody, given
that it was his hanger and given Gia's testimony?]
"Quid Pro Quo."
~Aaron Echolls to Kendall Casablancas
Aaron
wants something from Kendall, and not the obvious---which certainly surprises
her. But what? As if we don't have enough ongoing mysteries
now we are trying to figure out what Kendall was supposed to be collecting from
the shower drain of Duncan's bathroom.
And what about this little gem of an observation on Veronica's
part: "By the looks of it I'd guess
it was the elder Mr. Mann who commissioned the background check, but it was his
son who couldn't live with the information." Has the elder Mr. Echolls commissioned some
background information that will prove difficult for his son to live with?
Who else is
looking for Quid Pro Quo? Cassidy and
Kendall are both playing one another.
Who is really in control? What is
Cassidy's game? Is he the player or the
played? Not just in regard to Kendall
but with respect to the Neptune real estate market. Logan is making an exchange with Dr.
Griffith, but will he be willing to live up to his half of the bargain? Keith keeps feeding information to Sheriff
Lamb, but doesn't seem to be getting any consideration in return. Is Logan going to ask Veronica for help
again? If so, what will she require as
quid pro quo?
"If it isn't the puppetmaster." ~Veronica to Vinnie
As far
the MOTW went, Vinnie turned out to be the "puppetmaster" --- faxing
Heidi the band's flyer and leaving fake text messages. And just how wonderfully delightful is it to
see the writers' update the arsenal of basic P.I. tricks to the fit 21st
century technology? Replacing the old
"rub a pencil over a used notepad to highlight whatever was written on the
missing page" with "if this fax machine has storage
capabilities." And text messaging
from a known phone number is so much easier than trying to fake Kim's voice on
a message machine. Veronica is right
about Vinnie's mad detecting skills.
But who the
heck is the puppetmaster in the larger mysteries? Who is manipulating the incorporation vote? Why?
The land deals? Is it really
Cassidy? As asked above is he the player
or the played? Kendall? Is working abroad Dick Sr. really
behind much of the action? How many
threads is Aaron controlling from prison?
We haven't seen much of Woody but there seem to be a lot of clues
pointing in his direction. Are they
merely red herrings? Is there more than
one puppetmaster? Where does the PCH
gang fit in? The Fitzpatricks? Is it a conspiracy?
"Cold feet honey.
It's always cold feet."
~Keith to Veronica
In the end
it did turn out to be about cold feet--Paul's not Heidi's. I can't help but wonder if any of the other
players (dare I say co-conspirators?) will get cold feet? Looks to me like Logan may already be
experiencing some remorse with regard to both his bargain with the not-so-good
doctor to stay away from Hannah and also in regard to his behavior toward
Hannah. Did they have sex? In my mind this is unconfirmed, but Logan's
conscience is clearly making a somewhat rare appearance. Logan is getting hit from all directions with
accusations and reminders that "nobody likes you" and "jurors
love to convict smug rich boys."
Even Veronica tells him that he has sunk to new depths. He tries to pass it off as jealousy, but I'm
pretty sure that the remark is pure defense mechanism because he clearly agrees
with her. Dr. Griffith's prediction that
"someday that smirk is going to get wiped off your face" pretty much
plays out before the door even closes behind him.
Did Curly get cold feet regarding
his role in the bus crash? Was that why
he had Veronica's name written on his hand?
Will Cassidy get cold feet about his land deals, or will he get burned? It's hard for me to imagine Aaron, Kendall or
Dick getting cold feet over any action and anybody who would deliberately
murder eight people (potentially more) has a heart frozen so solid their feet
are hardly an issue.
"Don't you want to see how it ends?" ~Dick to Logan
As we try
on theories for size and see how the puzzle pieces fit into each new hypothesis
I find Veronica's observation to be highly relevant: "That guy's too big. That guy's too small. That guy's--not a guy--just in need of a good
stylist. That guy looks just
right." I'm not sure if my theories
are too small, too big, or really just in need of a good stylist but I can't
wait to see what Rob Thomas comes up with that will be just right!
* * * * * * * * * * *
The Quick (with a Quip):
Kendall--in
every single scene. She brings the snark equally with Cassidy and Logan. And her scene with Aaron is priceless.
Cassidy
holds his own with Kendall.
Lamb: "Well, if Veronica saw them: I mean, that's like Moses bringing tablets
down the mountain to me!"
Cliff
lays it out for Logan: "With good
behavior (beat) should you be able to muster some."
Vinnie,
Vinnie, Vinnie. Vinnie and Veronica
are pure gold.
The "Wed"
Okay, so
nobody actually got married by the end but there were a number of notable
couples:
Heidi and Paul: marriage derailed.
Heidi
and Nick: together again?
Logan
and Hannah: Beauty and the
Beast? Did they or didn't they? She defends him mightily to her mother: "You don't know him. They don't know him. I know him." Sadly, dear, I don't really think you
do. But Logan is touched---and guilt-ridden.
Logan
and Veronica: It's complicated.
Kendall
and Cassidy: Her delightful
packaging is a means to outwitting her adversaries. Are they colleagues or adversaries, and who
really has the upper hand?
Kendall
and Aaron: What can you really say
but: CK+AE4EVR! (or maybe HH+CC4EVR). Yowza!
Wallace
and Jane: Cute, sweet, bland.
Keith
and Lamb: Not that way,
sillies. But they are definitely a pair!
Keith
and Veronica: slowly rebuilding the
trust. It was nice to see her asking him
for help.
and the Dead
Lilly---previously
dead
Felix
Bus victims**: Driver Ed Doyle, Journalism teacher Ms Dumas,
PCHer Cervando Perez, Gay Teen #1 Marcos Oliveres, Gay Teen #2 Peter Ferrer,
Rhonda of the cell phone message, Meg, one unnamed student.
Curly Moran
And those not yet dead but definitely in peril of some
type of penalty:
Terrance---shot,
in surgery, about to be arrested for multiple murders, his career is likely
dead.
Aaron----soon
to be on trial.
Logan----also
soon to be on trial. Emotionally wrecked.
Veronica----will
she be in peril as the season progresses?
Back to the Beginning
And, for future reference, a summation of the points RT
thought were important enough to re-emphasize in the extensive previouslies:
·
Lilly is murdered.
·
Aaron committed the murder.
·
The videotapes of Aaron having sex with Lilly are
stolen from the evidence room.
·
Keith observes re
·
·
We see the face of the witness (not the doctor) and
Felix's body.
·
·
Dr. Griffith goes to Sheriff Lamb and claims to
have witnessed Felix's murder.
[Hmmm....he's going to have more than the Fitzpatrick gang to deal with
is he recants his testimony. And, where
is the actual witness?]
·
·
·
Dr. Griffith threatens
·
Woody explains his political plans: "I promised a cleaner, safer
·
Keith replies to Woody, "that's
not a town, Woody. That's a country club."
·
Woody addresses the journalism club at the
ballpark.
·
Woody set up the field trip. [Whoever set up the
bomb on the bus had to know about the field trip in advance.]
·
Dick Sr sends a limo at
Little Dick's request, due to smell of the bus.
·
Veronica misses the bus.
·
Veronica and Weevil arrive at the bus crash site.
·
Lamb questions Veronica about Curly Moran, because
her name is written on his palm when his body turns up beaten to death.
·
Veronica realizes that Curly knew Aaron Echolls and
knew about sending vehicles over a cliff.
·
Terrance Cook is accused of setting off the crash
·
Keith takes Terrance's case.
·
Veronica questions Keith's motive for helping
Terrance.
·
Keith points out Terrance's possible
motive---killing Ms. Dumas.
·
Gia tells
Lamb that her father told her not to take the bus; Keith also hears this
evidence when he steals [borrows? Has he
returned them?] the evidence tapes. [Why has this info been largely ignored thus
far?]
·
Veronica thinks the rat is a message to her and she
was the intended victim of the crash.
·
Keith disagrees and thinks the rat's only purpose
was to smell---thereby driving "anyone who could afford another ride off
the bus."
·
The PCH gang turns on Weevil.
·
Weevil accuses Thumper of murdering Felix.
·
Thumper blackmails Weevil with video footage of
Weevil beating Curly--who has turned up dead.
·
Cassidy enlists
·
Veronica finds explosives in the hangar where
Terrance keeps his cars. [Which belongs to Woody.]
There are your puzzle pieces, people. Good luck putting together the big picture!
**Special thanks to Rae of The Soulful Spike Society for
supplying all of the bus crash victims' names for me.
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