Heroes: Hiros
by Sara
A Soulful Spike
Society Review
www.soulfulspike.com
Men acquire a particular quality by constantly acting a
particular way... you become just by performing just actions, temperate by
performing temperate actions, brave by performing brave actions.
Aristotle
I admit, this episode stumped me.
I watched it twice, kept rereading my notes, and still couldn't figure
out where to begin or what I wanted to address. So I did what any struggling writer
would do: I whined to someone else about it.
Luckily for me, that someone was my review partner Erin. Better still, I caught her on the day
she was cranking out her remaining Heroes reviews like Roger Ebert on
speed. So when I confessed I was
at a loss, this is what she had to say:
Well, it's the only one thus far named after a
character...and Hiro has a big part to play in it. Both Hiro and Future!Hiro,
which might be why the episode title is the plural of Hiro. We have Mohinder
talking about migration and coming together, so I would look at the dynamics of
the heroes meeting one another, with special attention to the role of Hiro
himself...
Who am I to turn my back on such an excellent insight?
To be specific, what Mohinder said was: "When a change comes, some
species feel the urge to migrate. They call it zugunruhe, a pull of the
soul to a far-off place, following a scent in the wind, a star in the sky. The
ancient message comes calling the kindred to take flight and gather together.
Only then can they hope to survive the cruel season to come." And indeed, in this episode we
finally see the main characters start to come into each others' orbits: Nathan encountered Claire's father
and his silent partner-in-whatever, Peter joined forces with Isaac, Hiro met
Nathan, Ando went to see Niki, and book-ending the show we had Hiro and Peter's
mirroring introductions to each other.
The first time I watched "Hiros," I remember thinking how
strange it was that in an episode bearing his name Hiro himself didn't seem to do
a whole lot. He talked a
good game, and expressed his absolute certainty that he was going to save the
world to both Ando and Nathan. Yet
he barely spoke the language, had to bum a ride back to the hotel from Nathan,
and when he finally got back to his own car realized he had no idea how to
drive it. Then, instead of
finding a cab or getting on a bus, he simply hung out at the car waiting for
Ando to come back and help him.
Yet even as I considered how to express these thoughts, another voice in
my head chimed in to say "Um, what?
Hiro's the only one we've seen on this show who's come up with a plan
and acted on it. Peter was
wandering around wondering about destiny, Mohinder dithered and struggled with
his daddy issues, Isaac shot up to try and tune in some more details, Nathan
embraced denial like it was an old lady at a photo op, Niki was more concerned
with figuring out whether she'd completely slipped a cog, Matt focused on
putting his marriage back together and kicking his career into gear, and Claire
spent most of her time wishing the whole thing would go away.
"But Hiro? Hiro knew
from the start that an ability like his meant he had to do something more, be
someone more than just another office drone trying to get by. And once he became aware that a
terrible tragedy was going to take place, he simply hopped on a plane and
started trying to figure out how he could prevent it, going on little more than
blind faith and a prescient comic book.
Dude's more take-charge than almost all the other characters combined. So stop procrastinating and start
writing, woman."
Interestingly, though, it appears this dichotomy may be more than the
musings of a writer in search of a theme to hang her review on. After all, Future!Hiro is certainly
proactive: he's journeyed there specifically to give Peter his mission,
intentionally setting in motion events designed to completely alter his own
past and presumably save Claire's life.
In doing so, he engineers what may be the most critical connections to
date, the first we see formed between characters who are not anywhere near each
other geographically; Isaac, Peter, Hiro, and Ando become part of each other's
lives because they share a purpose, not a zip code. After all, if Future!Hiro doesn't
chat with Peter on that subway, then Peter doesn't pick up the phone when Isaac
tells him it's just some Japanese guy with the wrong number. For that matter, without
Future!Hiro's intervention Peter doesn't return to Isaac's and eventually
complete that crucial painting which in turn strengthens Peter and Isaac's
growing sense of determination and commitment to use their powers to help
others.
Yet despite all his power, ultimately Future!Hiro himself could only
point his friends in the right direction and hope it'd be enough to save Claire
making Hiro, once again, the guy who knew exactly where to go and yet couldn't
drive the car there himself. In fact, Future!Hiro tells Peter he risked creating a rift merely by
being there, even though he knows his past self is hundreds of miles away meaning
the possibility of taking action himself must be completely out of the
question. So perhaps we're
actually getting our first hint as to the kind of barriers Hiro will bump up
against as he begins to explore the limits of what he's capable of doing; he
can bend time and space, as he so frequently tells people, but it appears he
can't necessarily bend them to his will.
In any event, our heroes are beginning the slow process of connecting
with each other, with Hiro acting as the catalyst for some of these
newly-developed bonds between our core characters. However, I think it's also important
to take a look at what's happening with the heroes who so far still remain
isolated from the others: Matt
and Claire.
Matt, for his part, is in much the same boat as Hiro was the previous
episode: figuring out how to use
his powers even as he succumbs to the temptation to employ them for personal
gain. In this case, as in
Hiro's, it's almost impossible to blame him for doing so; we've seen Matt's
struggles to fix his troubled marriage, so we can understand why he'd use his
ability to impress his wife. And
let's face it: I think we all get why making love with or as a telepath would
have plenty of perks. Yet I also
know I was left with this nagging sense that Matt was cheating just as surely
as Hiro was; he let his wife believe he understood her so well because he'd
been paying attention to her and her needs, instead of using her own thoughts
as his personal crib sheet.
If that is the case, though, then karma certainly came around and bit
Matt on the ass; if a benefit of telepathy is the ability to be completely
attuned to one person, the downside is what happens when he's forced to tune in
to several stations with equal clarity all at the same time. When Matt first got to the market our
would-be thief was most likely going off the charts with the intensity of his
thoughts, bringing his voice to the forefront of the chatter Matt was hearing. But once the gun became visible
everyone's emotions and adrenaline got a nice little jolt, and suddenly all
that background noise he'd relegated to the back of his brain had its
collective volume turned up to ten, resulting in Matt getting the mother of all
migraines. So, the hurdle Matt
will eventually have to overcome seems pretty clear: he has to find a way to filter and/or
dampen what he's hearing, or he's going to end up either a hermit or a
gibbering lunatic.
As for Claire, she's in an interesting position in terms of the overall
storyline. She's met none of the
other heroes; indeed has no idea other people like her even exist and yet she
herself is becoming the center of their focus, the reason all these special
people are beginning to connect with each other to begin with. In terms of her own character arc,
Claire took a pretty important step forward over the course of this episode.
Like Hiro and Matt, Claire gave in to the temptation to use her power for
selfish reasons. However, unlike
the two gentlemen Claire actually had a legitimate big-picture motivation as
well she wasn't wrong in believing Brody would continue his behavior unless
someone or something intervened, and we know Claire only took action upon
realizing she wasn't his only victim. Yet
while Hiro pretty much shrugged off his mistake and Matt hasn't yet figured out
he might have behaved less than honorably, Claire not only understood but owned
up to the wrongness of her behavior, so much so that she actually apologized to
the guy who tried to rape her and then dumped her body in a river. She may still be reluctant to accept
the fact that she'll never be a "normal" girl again, but by speaking
to Brody as she did I think Claire demonstrated that she has the potential to
become a pretty extraordinary person powers or no.
Other musings:
· Ali Larter
continues to break my heart as Niki slips further into confusion and
uncertainty. Her reaction upon
waking up and discovering what she'd done was pitch-perfect, full of emotion
yet beautifully underplayed. Not
to mention the kindness she later shows Ando.
Given what Niki had been through over the previous 24 hours, it would
have been perfectly understandable if Niki'd had him arrested or reacted with
anger and disgust. Instead she
treated him with courtesy and understanding, and it's a credit to Larter's work
that we never question this reaction for a moment.
· In a
related vein, I loved her delivery of Niki's answer to Nathan's question as to
who she wanted to be: "Someone
good. A good mother. Not the person I see in the
mirror." It's not exactly
the most subtle line in the world, but Larter makes it rich with meaning.
·
Nathan, on the other hand, shows a side of himself
that can't help but give a person pause.
First, he tells Mr. Bennett and the Haitian (as he's listed in the
credits, although it's a name I personally hate) he will someday find them and
kill them with little more inflection or emotion than if he'd given them the
latest football scores. And then
he has both the intelligence and nerve to use Linderman's threat of blackmail
to extort another $2 million from the man, after which he bares his teeth in a
smile that had nothing of humor in it. Yoiks.
· Nathan and
Hiro in the diner? Instant
classic from start to finish.
· Speaking
of which, I personally enjoyed the mini shirtless-men theme we had going in
this one.
· I still
don't care for Matt's wife, but her obvious concern for him did mitigate my
dislike for her a tad.
· Loved the
part where Peter channeled Isaac's power, to the extent that he literally saw
the world exactly as we know Isaac does when he paints the future. And I find it interesting that
they've chosen to make their seer blind when his power has kicked in; the
prophet who has visions of the future yet can see nothing of world around him
is an archetype dating back to classical times, with perhaps the most famous
example being Tiresias of Homer's Odyssey.
·
While most folks watching undoubtedly realized that
Niki woke up without the tattoo we saw on her doppelganger's shoulder,
sharp-eyed viewers might have also noticed that Future!Hiro's sword had an
interesting adornment: that same mysterious symbol was on the handle of his katana.
· Finally,
Mr. Bennett is undoubtedly developing into one of the show's most intriguing
characters. His true nature and
motives are most certainly matters for debate, but this episode also leaves us
little doubt he genuinely loves his daughter.
A lot of the credit for this has to go to Jeff Coleman, who constantly
and consistently shows us both the menace and the caring lurking beneath
Bennett's exterior, often at the same time.
When he tells Brody "I put more stock in her humanity than I do in
yours... I know her better than
even she does. Claire is a very
special girl. It's confusing what's happening to her, and she doesn't need some
punk making her life any more difficult," you both want to cheer him and
yet can't help but be a little alarmed by the extent of his protectiveness. And his delivery of "Hollow him
out. Take everything" gave me chills.
Although, personally, I think by doing so Daddy Bennett actually let the
kid off too easy; I'd rather he was left
with an awareness of what a truly horrible person he'd become than run
the risk he'd end up becoming a predator once again.
That's it from my end for now. Again,
my deepest thanks again for Erin for helping give my brain the boost it so
desperately needed; without her, this review might still consist of nothing
more than random notes and my chewed-up fingernails. Be sure to check out what I'm sure
will be another top-notch review from Erin on episode six, and I'll see you all
for lucky number seven. 'Til
then, stay heroic.
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